90.3 THE ROCK PRESENTS Social Distortion

Social Distortion

Lucero

Frank Turner

Tuesday, November 9, 2010

The Valarium

Tickets: $30 advance/ $32 at the door

$3 surcharge if under 21

18 and up

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About Social Distortion:

Touring for the first time since 2009’s memorable excursion of Europe and the US, which included dates with Pearl Jam, and the band’s recent jaunt to Brazil and Argentina earlier this year, Social Distortion will be performing a few select warm-up shows before hitting the main stage at this summer’s Lollapalooza and Outside Lands. Following the festival dates, the band will take a month off before returning to the stage to unveil their first new album in six years for music hungry fans across the country on one of the fall’s most awaited tours. Currently Mike Ness and crew are wrapping up recording on Social Distortion’s seventh studio album and follow-up to their critically adored and fan coveted 2004 album, Sex, Love and Rock ‘n’ Roll.

Formed in Fullerton, CA in 1979, Social Distortion have spent the last three decades performing their signature style of roots driven rock ‘n’ roll and hard luck stories for fans worldwide while recording six classic, critically heralded albums including Mommy’s Little Monster, Prison Bound, Social Distortion, Somewhere Between Heaven and Hell, White Light, White Heat, White Trash and the aforementioned Sex, Love and Rock ‘n’ Roll.

Lucero:

Lucero’s sixth studio album and major label debut, 1372 Overton Park, was released October 6th, 2009 on Universal Republic Records. Produced by Ted Hutt (The Gaslight Anthem) and featuring horn arrangements by legendary Memphis session player Jim Spake (Al Green, John Hiatt, Solomon Burke, Cat Power), the record marks a decided turn toward the Memphis soul sound that has long informed the band’s records from afar. 1372 Overton Park follows the band’s 2006 release, Rebels, Rogues & Sworn Brothers, hailed by Pitchfork as “the best showcase for the band’s taut dynamic yet.” After a run of festival and club dates this summer, Lucero will tour throughout the fall in support of the new album with the Lucero Ramblin’ Roadshow & Memphis Revue, a traveling roadshow featuring Amy LaVere, Cedric Burnside with Lightnin’ Malcolm, Jack Oblivian, John Paul Keith & the One Four Fives and The Dirty Streets. Please see reverse for a list of dates.

 

The new album’s name comes from the address of the Memphis loft in which all four band members lived, practiced and even recorded portions of their 2003 release That Much Further West (the history of the space itself is even more colorful—in the `70s, 1372 Overton Park was a karate dojo where local resident Elvis Presley, among others, took lessons). Over recent years band members have gradually moved out leaving lead singer and guitarist Ben Nichols the sole resident of the space until word finally came down that the building would be sold and demolished. Almost as if marking the end of an era not only for the building but for the band as well, this record turns the page and signals a strong move toward the Memphis soul sound that has long served as an influence for the group. Nichols explains, “When [saxophonist] Jim Spake put that first horn track down, we began thinking of the record as having a certain sound. We heard pieces of Memphis history being played over our songs and it floored us and we just went with it.”

 

While 1372 Overton Park serves as a love letter to Memphis and its musical heritage, the band has far from abandoned the country/rock/punk influences that they’ve become known for over their previous five records and countless tour dates in front of rabid fans. “I think the fact that we don't claim a genre is very important to what Lucero is,” according to Nichols. “There are too many rules in punk rock. Too many rules in country music. We’re hard headed and…god damn if we don’t do things the way we want to do them.”

Playing between 150-200 live shows a year, Lucero has come to be known as much for their hard-touring work ethic as for their critically acclaimed records. In addition to his work with the band, lead singer Ben Nichols also released a solo record in early 2009 and co-stars in MTV’s $5 Cover, a series about the Memphis music scene

Frank Turner:

For three long and often lonely years of life on the road, plying a brand of honest and passionate folk/punk, Frank Turner continued to rise to prominence with an ever increasing following. But it was in the sweaty climes of the Lock Up Stage at Reading and Leeds 2008 that his solo career really started to take off. Inside the packed out tents, heaving with adoring fans and intrigued passers-by, Frank led the congregation in a mass sing-a-long; a stirring set that not only sparked the interest of the British mainstream but resonated unassumingly across the pond as a wealth of American punk bands watched approvingly from the sidelines.

No stranger to the festival, Frank had not only played the Lock Up Tent with former hardcore band Million Dead back in 2005 but also as a tentative solo artist in 2007 when debut album ‘Sleep Is For The Week’ was just an underground success. Within the following year, Frank’s popularity grew with yet more touring and the release of second album ‘Love Ire & Song‘ in March 08. He started to play larger headline shows and develop the live band that he was looking for.